Impact of Giving

Restored stained glass windows revealed at UNB

Author: UNB Development and Donor Relations

Posted on Oct 11, 2018

Category: News and Events

In a project that took two years and more than 2,000 work hours, the stained glass windows at UNB’s Memorial Hall are now fully restored to their former glory.

The freshly restored windows were unveiled at a public celebration on Thursday, made possible with gifts from generous donors.

Essential to the project was a stained glass artist who had the knowledge and expertise to work with old glass on an architectural scale. UNB Art Centre director Marie Maltais found a qualified conservator in stained glass artist Ned Bowes, who coincidentally calls the Fredericton region home.

Mr. Bowes, who was awarded the title of maître de vitreux, or master of stained glass, from the American Stained Glass Institute in 1980, has almost 40 years of experience working on large restoration projects around North America. He dedicated his vast knowledge and exceptional skill to bringing UNB’s signature stained glass windows back to their original glory.

“All of these windows are just oozing with knowledge, with history,” said Mr. Bowes. “There’s a message in every window and it’s there for the person looking at it.

“Stained glass windows at one time were referred to as a poor man’s Bible, when many people were illiterate. Someone can look at a stained glass window and take away their own understanding of the message.”

The seven stained glass windows were installed between 1926 and 1943 and are dedicated to fallen soldiers, literary figures, former UNB professors and prominent New Brunswickers. They feature family crests, mottos, insignia and images from history, poetry and science.

Some of the original windows had been too large for their frames and needed to be chiseled out. Others had holes that were patched up with cement, covering entire sections of glass. On one particular window, Mr. Bowes spent 200 hours restoring it.

“The windows tell the stories of those long gone,” said Ms. Maltais. “They have the power to inspire and to challenge. They make visible art connections to the past.”

Photo credit: Lori Quick/UNB